How to Pitch Slate

ARCHIVED 2023-03-01, DATE APPROXIMATE · VERSION 20230301_rev01 · COMPARED WITH 20230201_rev01

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1So, you'd like to write for Slate-that's great! If you haven't worked with us before, here are a few pointers on how to craft a pitch and capture our attention.
1So you'd like to write for Slate-that's great! If you haven't worked with us before, here are a few pointers on how to craft a pitch and capture our attention.
22
33**Do** read Slate to get a sense of the magazine's voice and examples of pieces that have been done in a similar vein.
44
5**Do** Google your idea. It may seem like a no-brainer, but often we reject a pitch because the writer's argument doesn't feel fresh or original. A brief search for other articles on your proposed subject can go a long way to figuring out what's been written about it here or elsewhere, so you can avoid pitching something that feels familiar. This research might also help inform your take-perhaps someone has indeed made your point, but you see a fundamental flaw in their argument, or disagree with their conclusions. That's one way to frame your pitch.
5**Do** Google your idea. It may seem like a no-brainer, but often we reject a pitch because the writer's argument doesn't feel fresh or original. A brief search for other articles on your proposed subject can go a long way to figuring out what's been written about it here or elsewhere, so you can avoid pitching something that feels familiar.
66
7**Do** make a strong argument if you are pitching a story that is in our wheelhouse: opinion and analysis. Slate is known for surprising but persuasive arguments. The best pitches are clear and concise with just enough detail. You don't need to have answers to all the points your piece might raise, but we do like to know that you've done a bit of research to help formulate your pitch. We particularly appreciate ideas that don't take conventional wisdom for granted or assume the audience shares their beliefs.
7**Do** make a strong argument if you are pitching a story that is in our wheelhouse: opinion and analysis. Slate is known for its surprising arguments. The best pitches are clear and concise with just enough detail. You don't need to have answers to all the points your piece might raise, but we do like to know that you've done a bit of research to help formulate your pitch. We particularly appreciate ideas that don't take conventional wisdom for granted or assume the audience shares their beliefs.
88
99**Do** pitch reported pieces and dispatches. Much of the above still applies. In these cases, also tell us what insights your reporting will help uncover or crystallize.
1010
11**Do** distill your idea into a pitch, even if you have a full draft already written. If you happen to have a draft ready, feel free to attach it, but please make sure you still include a full pitch describing the piece in the body of the email.
11**Do** distill your idea into a pitch, even if you have a full draft already written. If you happen to have a draft ready, feel free to attach it, but please make sure you still include a pitch describing the piece in the body of the email.
1212
1313**Do** include a bit about your background in the form of a one- to two-sentence bio. If you can, please provide any relevant published work that's written in a voice similar to Slate's. If not, writing from a personal blog or anywhere else is fine. We do not need a CV.
1414
1515**Do** let us know if you pitch your idea to multiple publications. As a general rule, if the story isn't too timely, it's ideal to wait about a week before sharing the pitch with another publication.
1616
1717**Avoid** more than one follow-up email. We try to respond to all pitches, but it often isn't possible. If after a week or so you haven't heard back, feel free to take it elsewhere.
4343
4444Shannon Palus
4545[**shannon.palus@slate.com**](mailto:shannon.palus@slate.com)
4646
4747### Human Interest
4848
49Isabelle Kohn (all Human Interest)
49Isabelle Kohn
5050[**isabelle.kohn@slate.com**](mailto:isabelle.kohn@slate.com)
5151
52Rebecca Onion (academia, school, family)
52Rebecca Onion (higher ed, school, family)
5353[**rebecca.onion@slate.com**](mailto:rebecca.onion@slate.com)
5454
5555Jeffrey Bloomer (features and essays)
5656[**jeffrey.bloomer@slate.com**](mailto:jeffrey.bloomer@slate.com)
5757
58J. Bryan Lowder (food, drink, LGTBQ)
58J. Bryan Lowder (food, drink, LGBTQ)
5959[**bryan.lowder@slate.com**](mailto:bryan.lowder@slate.com)
6060
61Torie Bosch (for [State of Mind](https://slate.com/technology/state-of-mind), on mental health)
62[**torie.bosch@slate.com**](mailto:torie.bosch@slate.com)
63
6461### News/Politics & Jurisprudence
6562
6663Jeremy Stahl (jurisprudence)
6764[**jeremy.stahl@slate.com**](mailto:jeremy.stahl@slate.com)
6865
6966Rebecca Onion (history)
7471
7572### Business
7673
7774Jonathan Fischer
7875[**jonathan.fischer@slate.com**](mailto:jonathan.fischer@slate.com)
7976
80### Technology
77### Tech
8178
82Torie Bosch (for Future Tense, or stories on the policy, ethics, and social implications of tech; for guidelines on pitching Future Tense Fiction; and for State of Mind, on mental health)
83[**torie.bosch@slate.com**](mailto:torie.bosch@slate.com)
84
85Jonathan Fischer (big tech, cities, media/internet culture)
79Jonathan Fischer (big tech, cities, media, internet culture)
8680[**jonathan.fischer@slate.com**](mailto:jonathan.fischer@slate.com)
8781
88Mia Armstrong (Future Tense)
82Mia Armstrong ([Future Tense](https://slate.com/technology/future-tense) and [State of Mind](https://slate.com/technology/state-of-mind))
8983[**mia.armstrong@slate.com**](mailto:mia.armstrong@slate.com)
9084
9185### Sports
9286
9387Seth Maxon
9488[**seth.maxon@slate.com**](mailto:seth.maxon@slate.com)